HUMAN / NATURE TOP 34 FINALISTS
Dear Friends and Followers of KLPA,
The 5 judges met over the last 2 weekends in June and have selected the Top 34 finalists entries from a total of 671 portraits. KLPA have raised USD$5,000 for the Ukrainian refugee cause and we have donated these proceeds equally to Disaster Emergencies Committee and the United Nations Crisis Response. We would like to sincerely thank every one of you who submitted your entries in 2022 for your generous support. We would also like to thank our judges for their expert opinions and time spent in the process.
Congratulations to all our winners and finalists. We look forward to the exhibition at GMBB in Kuala Lumpur from 16 September to 2 October 2022.
Founder Director, KLPA
Donation receipts are available to view below :
©NORIKO TAKASUGI Dyptich from project 'MUSUHI'.
Left image depicts an ancient painting of an important ritual of the Nomaoi folk event. People wearing white clothes called Okobito, are chasing wild horses to find the God horse. Today they perform the same ritual, except wild horses are replaced by thoroughbreds. The right image is a portrait of a woman from the family of the priest of the main shrine of Nomaoi, praying for peace in our land, our identity for 800 years.
THE POWER OF THE PORTRAIT
What are the traits of being human? The central concept that human beings have an inherent cause towards a finality, as claimed by Aristotle’s teleological arguments were often challenged by later thinkers and philosophers that human behaviour is malleable and hence changeable by external influences.
We ask if being human is natural and if so, what is human (as opposed to being beasts). How can we as artists and photographers depict these ‘human’ traits in our work, and in stand-alone portraits? How do we portray morality, ethics, reasoning, feelings like love, hate, envy - all basic human traits creatively and effectively. Ultimately, we are emotion-led beings that react to influences from our tradition, environment, and nature.
We seek creative and meaningful stand-alone portraits in all genres : street, documentary, fine-art, conceptual etc; inspired and influenced by the theme, with accompanying titles and captions. We love to know your creative process and the thinking behind the portrait you have made.
Federico Estol is a photographer and the director of SAN JOSÉ FOTO festival in Uruguay, coordinating the Photobook Club Montevideo and as editor of El Ministerio Ediciones publishing house.
He is a nominator of World Press Photo, Leica Oskar Barnack Award and Foam Paul Huf Award, and has collaborated with photographers around the world in various capacities.
Sharmin Parameswaran is a part-time independent curator working in the Malaysian visual arts scene with interests rooted in the potential of collaborative art projects to engage wider audiences through thought, experience, and discourse.
Her curatorial and project management projects include a collaboration with women’s rights group All Women’s Action Society to stage The Good Malaysian Woman: Ethnicity, Religion, Politics; highlighting how female stereotypes affect women’s sense of self, community, and nationality.
Other collaborators include the acclaimed Obscura Photo Festival, as well as the multidisciplinary Cooler Lumpur Festival 2017 and Urbanscapes 2017/2018. Her most recent project was SH/FT A Contemporary Visual Art Exhibition, 2019 with CENDANA (Cultural Economy Development Agency) as Lead Curator & Project Manager.
Full time, Sharmin works with Astro Malaysia in the Content Management Group, keeping up to date with popular culture that drives digital and broadcast content from movies, TV series, and today’s fast-paced short formats.
Anna Kućma is the director of FOTEA and the Uganda Press Photo Awards, a unique educational photography platform and annual competitions for East African photojournalists and photographers.
With a background in Cultural Policy and Film and Photographic Studies, Anna has collaborated with prominent galleries and has curated and assisted many exhibitions and worked on innovative visual storytelling initiatives.
She is passionate about developing alternative educational models and networks for visual professionals on the African continent and beyond. She is a frequent nominator and jury member for initiatives including the Joop Swart Masterclass, CAP Prize, FORMAT and Belfast Photo Festival. She is based in Kampala.
Smita Sharma is a Delhi-based photojournalist who has documented gender issues, sexual crimes and human trafficking in the Global South through long-form visual narratives.
She is a TED fellow and an IWMF reporting fellow. Smita is committed to representing people with dignity and her visceral images have been published in a range of outlets, including the New York Times, BBC World, Wall Street Journal, TIME and National Geographic Magazine.
Her work has also been exhibited and shown globally, including at the UN Headquarters in New York. She is the recipient of awards from Amnesty International, the Las Fotos Project, One World Media and Fetisov Journalism Award.
Kodo Chijiiwa was born in 1976, in Saga, Japan and has resided in Yakushima since 2003. In 2008, after working as an assistant of Iris Janke, he had his first solo exhibition and worked as a freelance photographer in Berlin. He participated in the What’s Up PHOTODOC group exhibition held at Galerie HUIT during the 2015 Arles Les Rencontres de la photographie dʼArles.
Later Kodo established the Yakushima Photography Festival (YPF) with French photographer Antonin Borgeaud as co-founder and Cleo Charuet as art director in 2015.
In the same year, after signing a contract with Galerie Basia Embiricos, Paris, the first Yakushima Photography Festival was held in October jointly sponsored by Japan and France at Yakushima Japan.